“When I watch, I watch it with gratitude. Women can be beautiful in a thousand different ways,” she said, listing some of the films that changed her career, from “Irréversible” and “The Passion of the Christ” to the little-seen “Rhino Season” and comedy-drama “Malèna,” directed by Giuseppe Tornatore. “In the past, being beautiful was inseparable from being an actress. Noting that the internet has changed stardom forever – an era when “nothing is untouchable,” she said – Bellucci said that new freedoms also came with it. When I want to work with a director, five minutes are as important as two hours.” If you have something strong to give, it doesn’t matter how long you are on the screen. Because Lynch thinks like Fellini, and because he meditates a lot, he gives a lot of importance to dreams. “When we sleep, all these strange things happen and then: Cut! We are in another scene, but there is still a connection. “It’s a wink at Fellini, who loved very much,” said Bellucci, also mentioning her brief role in David Lynch’s “Twin Peaks,” in which she featured in the dreams of FBI deputy director Gordon Cole, played by Lynch himself. In order to bring them together, they turned to the role played by dream sequences in the film. It was nice to give her back her dignity.”
MALÈNA MOVIE FULL
This woman has given so much to cinema, perhaps unconsciously, she was so full of light, beautiful, has experienced so many things and then ended up alone, in a wheelchair and died in a hospice. When Ekberg, already so different physically, arrived and allowed herself to be so free, also economically, it was as if a bomb exploded in that society,” said Bellucci, discussing Ekberg’s rapid ascent and then her descent, which was “abrupt and painful.” It doesn't help that the movie's action grows steadily gloomier, leading to a public humiliation that seems wildly out of scale with what has gone before and to an ending that is intended to move us much more deeply, alas, than it can.“Back then, Italian women would exist mostly within the domestic world. "Malena" is a simpler story, in which a young man grows up transfixed by a woman and essentially marries himself to the idea of her. Please.) But Fellini sees the humor that underlies sexual obsession, except (usually but not always) in the eyes of the participants. She continues to shine brightly in Renato's eyes, however, even after his field of knowledge is broadened when his father takes him to a bordello for the old "I give you the boy-give me back the man" routine.įellini's films often involve adolescents inflamed by women who embody their carnal desires. This descent in the world requires her to spend a great deal of time half-dressed before Tornatore's appreciative camera. She must abandon her teaching job because of the unjustified scandal and eventually is reduced by wartime poverty to dating German soldiers. The story involves Malena's bad luck after her husband is called up by the army and her good name is sullied by local gossip. They use Malena as subject matter for their autoerotic pastimes, but for Renato, she is more like a dream, like a heroine, like a woman he wants to protect from herself-with his bare hands, hopefully.
MALÈNA MOVIE MOVIE
The story is told by Renato ( Giuseppe Sulfaro), who as the movie opens is admitted to the local fraternity of girl-watchers. Malena, who is a schoolteacher and of at least average intelligence, must be aware of her effect on the collective local male libido, but seems blissfully oblivious her role is not so much dramatic as pictorial (a word I am using in the Playboy sense). She is all they can imagine a woman could be, arousing their imaginations, and more, with her languorous swaying passage. In a Italian town in 1940, a group of adolescent boys waits for the beautiful Malena to pass by. The setup scenes are like low-rent Fellini.
There is noting quite so awkward as a film that is one thing while it pretends to be another. The film torturously tries to transform this theme in scenes of comedy, nostalgia and bittersweet regret, but somehow we doubt its sincerity, maybe because the camera lingers so lovingly on the callipygian charms of the actress Monica Bellucci.
Giuseppe Tornatore's "Malena" tells the story of a woman whose life is destroyed because she has the misfortune to be beautiful and have a great butt.
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